C/O Berlin Talent Award 2021

Adji Dieye / Emmanuel Iduma
Zwei Hände sortieren einige auf dem Tisch liegende Fotoabzüge
Culture Lost and Learned by Heart, Memory, Video (14 min), Videostill © Adji Dieye
Metallgerüst und darin hängender Siebdruck von Fotos auf Seidenstreifen
Culture Lost and Learned by Heart, Untitled, 2020, Metall und Siebdruck auf Seide, Installationsansicht (Detail), Dakar © Adji Dieye

C/O Berlin is pleased to present this year‘s C/O Berlin Talent Award in the category Art to the Italian-Senegalese artist Adji Dieye. Her award-winning work Culture Lost and Learned by Heart will be presented in a solo exhibition from December 11, 2021, to March 5, 2022, at C/O Berlin in the Amerika Haus at Hardenbergstraße 22-24, 10623 Berlin.

Der C/O Berlin Talent Award 2021 in the category Theory goes to the Nigerian writer Emmanuel Iduma. He will be writing the first theoretical essay on the work Culture Lost and Learned by Heart by Adji Dieye which will appear alongside an interview with the artist in the upcoming monograph published by Spector Books.

The four artists Leonard Suryajaya (USA), Marina Caneve (IT), Max Colson (GB), and Salma Abedin Prithi (BGD) were selected for the Shortlist 2021.

In our digital epoch, in which we produce and consume more images than ever before in human history, the archive has become emblematic for the rejection of this form of consumption. The C/O Berlin Talent Award 2021 recognizes a more contemporary strategy of extended documentary practice and honors a project based on the editing of existing images. Culture Lost and Learned by Heart by the Italian- Senegalese artist Adji Dieye (b.1991) enters into a critical dialog with a colonial institution like the image archive, which is commonly associated with the visual documentation of history and regarded as the gatekeeper of historical truth. The project draws on found archival material from the National Archives of Senegal (Archives Nationales du Sénégal), a collection deeply inscribed with the history of French colonial rule. In re-reading this material, the artist deconstructs the hierarchies contained within it. Using additional, present-day visual materials, she further confronts new forms of displacement and exclusion: to what extent does the visual framing of a historical narrative lead to the exercise of political control today? From roughly 100 international artists, the jury unequivocally and unanimously selected Adji Dieye for her striking and provocative work, which deepens the exploration of decolonization begun in last year’s winning project and continues it in a very different material way.

Mehrere Schwarze Menschen an einem Tisch und vor einer Magnettafel, sie arbeiten mit Bildern und Fotoabzügen.
Culture Lost and Learned by Heart, Untitled, 2020, Bild aus dem Archives Nationales du Sénégal, Iconographie
Winners

Adji Dieye
(b. 1991, IT/SEN) studied New Technologies for Art at the Accademia di Belle Arti di Brera in Milan and completed a Master of Fine Arts at the Zurich University of the Arts. Her work has been included in international group exhibitions at FOAM Amsterdam (2020), Kunsthalle Wien (2020), as well as the African Photo Biennale in Bamako, Mali (2019) and the Lagos Photo Festival (2017). C/O Berlin is presenting her first institutional solo exhibition. Adji Dieye divides her time between Milan, Zurich, and Dakar.

Metallgerüst mit Seidenstoffen dazwischen hängend, auf Seide Siebdrucke von Fotos in Schwarz/Weiß
Culture Lost and Learned by Heart, Untitled, 2020, Metall und Siebdruck auf Seide, Installationsansicht (Detail), Dakar © Adji Dieye
Schrift auf rotem Grund: "The Spark of Documentary Photography lies in the tension between what was pictured and what is imagined in retrospect. von Iduma

Emmanuel Iduma(b. 1989, NG) completed a Master of Fine Arts in Art Criticism and Writing at the School of Visual Arts in New York after earning his law degree in Nigeria. In addition to his own writing, such as his traveling book A Stranger’s Pose, and editing, he devotes his time to art criticism, which has been published in ARTNews, Art in America, and the British Journal of Photography, and has been featured in publications by Aperture, Artforum, The New York Review of Books and the Walther Collection. Iduma was listed as Apollo International Art Magazine‘s 40 under 40 Africa in 2020 for the broad social impact of his work. He lives in New York and Lagos.

The C/O Berlin Talent Award 2021 in the category Theory honors Emmanuel Iduma (b. 1989), a versatile writer and art critic. Iduma’s focus on issues in photography and new media as well as contemporary African art and colonial history provide an ideal art critical reflection of the award-winning artistic project. He was selected from a field of 26 highly qualified international competitors. The jury was particularly impressed by Iduma’s ability to explore current (socio-)political topics within their historical context and to present complex ideas in a compelling and rigorously researched manner.

Jury

The expert jury in the category Art, consisting of Azu Nwagbogu (founder and director, LagosPhoto Festival/African Artists’ Foundation), Dr. Eva-Maria Fahrner-Tutsek (chairperson, Alexander Tutsek-Stiftung, Munich), Jan Wenzel (publisher, Spector Books, Leipzig), Dr. Kathrin Schönegg (head of C/O Berlin Talent Award, C/O Berlin Foundation), Maren Lübbke-Tidow (freelance writer and curator, Berlin), and Wolfgang Tillmans (photographer and artist, Berlin) selected this year’s winners and shortlist. The works of the shortlisted artists will be presented in the fall issue of the C/O Berlin Newspaper and online in cooperation with the magazine Der Greif.

The expert jury in the category Theory, consisting of Nela Eggenberger (editor-inchief, EIKON, Vienna) and Dr. Kathrin Schönegg (head of C/O Berlin Talent Award, C/O Berlin Foundation), made their decision unanimously.

Gruppenfoto der Jury 2021: Maren Lübbke-Tidow, Jan Wenzel, Azu Nwagbogu, Dr. Kathrin Schönegg, Wolfgang Tillmans an einem langen Tisch
Azu Nwagbogu, Jan Wenzel, Dr. Kathrin Schönegg, Maren Lübbke-Tidow und Wolfgang Tillmans © David von Becker
Shortlist
Zwei Männer in bunter, stark gemusterter Kleidung kniend und sitzend in gemusterter, surrealer Umgebung.
Leo Exotic, a.d.S. Quarantine Blues, 2020 © Leonard Suryajaya

Leonard Suryajaya
In his colorful works, the Chinese-Indonesian artist Leonard Suryajaya (b. 1988), who lives in the United States, takes up the specific aesthetics of the US commodity world and references fitness industry fetishes. His project Quarantine Blues, 2020 engages humorously with cultural codes in large-format tableaux, countering the forced isolation of people worldwide with cheerful images of brightly colored living spaces that the artist staged during the pandemic with people in his personal circle. The jury was convinced that this optimism is by no means to be understood as an ironic commentary on the general climate of fear; rather, with his extravagant images, Suryajaya is working earnestly to create a distinctive visual language and to convey a deeply held feeling that cannot be described as anything other than hopeful.

Der Oberkörper eines Mannes starr und steif aus einer Matratze ragend. Das Zimmer vollgestellt mit Krimskrams, alles in den Farben blau gehalten. Surreale, irritierende Szene
Quarantine Blues (Everything Blue in my Apartment), a.d.S. Quarantine Blues, 2020 © Leonard Suryajaya

Marina Caneve
The project Beautiful Bridges. A Migration System Breaking All European Borders by the Italian artist Marina Caneve (b. 1988) explores the intersection between documentary photography and artistic research. As both a search for visual traces and a theoretical exploration, the work investigates ecological bridges, paths, and crossings built on the edges of our countries, cities, and highways to allow animals to follow their migratory routes through urbanized landscapes. Caneve’s project impressed the jury as both an unusual and critical commentary on infrastructure, surveillance, and migration in the EU.

Eine leere Autobahn die unter die Erde führt. Die Beton Brücke darüber ist bewachsen von Gras
Ohne Titel © Marina Caneve
Ein buckliger Fuchs bei Nacht, welcher durch den Blitz der Kamera hell angeleuchtet wird.
Ohne Titel © Marina Caneve
Eine virtuelle Umgebung, die Ästhetik eines Computerspiels. Eine Zeitung auf dem Boden mit COVID Schlagzeile, Kriegsschauplatz oder Baustelle, Trümmer, unfertige Wände, Rauch am Himmel
Helluva Beating, 2021 © Max Colson

Max Colson
As an artist with roots in documentary photography, Max Colson (b. 1985) deals in Blitz’d Britain with the current socio-political state of his home country, Great Britain. The project addresses the crisis precipitated by Brexit and the COVID-19 pandemic, overlaying the country’s current mood with the period of the Second World War, whose ideology of (national) unity and cohesion has recently experienced a revival in British popular culture. The project was selected for the shortlist not only for the artist’s courageous exploration of this theme, but also for his extension of the classic photographic medium into new technologies such as 3D software and digital renderings.

Eine virtuelle Umgebung in Computerspiel-Ästhetik: Mehrere Screens zeigen News-Schlagzeilen und Einträge zur Corona-Krise. Beteiligte wie Rentner, Krankenpfleger, Kinder und Menschen im Home Office
A Time of Crisis, 2021 © Max Colson

Salma Abedin Prithi
In Torn, Bangladeshi-born photographer Salma Abedin Prithi (b. 1985) explores the mental state of society during the COVID-19 pandemic. Given the limited possibilities to work, the artist drew on news images and found footage from Bangladesh’s heavily regulated social media and used them to create elaborately staged counter-images focusing not on the everyday horrors but on people‘s mental health. The jury found the project to be a striking and timely examination of this topic, foregrounding aspects of people’s psychological condition that are often sidelined by incidence rates and vaccination campaigns.

Zwei in weißer Schutzkleidung vermummte Personen, die scheinbar schwerelos durch ein weißes Nichts schweben
Ohne Titel, a.d.S. Torn, 2020 © Salma Abedin Prithi
Ohne Titel, a.d.S. Torn, 2020 © Salma Abedin Prithi
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