Prague, Wenceslas Square, August 22, 1968: An arm is thrust into the picture. The watch on its wrist indicates the time. In the days before, tanks of the Warsaw Pact had entered the city to the screech of tank tracks on the cobblestones. This photograph by Josef Koudelka fits chronologically into his series Invasion, in which he shows the passionate resistance of his compatriots to the Red Army’s determination to quell by bloody means the democratic fervor of the Prague Spring. But it is also the first photograph in his book Exiles, published twenty years later, in 1988, by Robert Delpire.
1968 was a pivotal year—both in the West and in the East. Koudelka’s photographs leave a lasting impression of these historical events, conveying a vibrant immediacy and intimacy with the situation and the depicted people that goes beyond all documentation.
After leaving Czechoslovakia in 1970 on a three-month exit visa, Koudelka remained in the West, received asylum as a political refugee in England, and became a member of the Magnum photographic collective in 1971, before he moved to Paris in 1980. Exile had a deep impact on his photography and resulted in one of his most important and personal bodies of work. In his twenty years of wandering without a set residence, without possessions, and equipped only with a camera, he created numerous images that offer glimpses of the landscapes, people, and daily life in countries such as Italy, Spain, Portugal, and Ireland, as well as of the traditions and rites from the past. They were first published in 1988 in the book entitled Exiles.
For his most recent work, Josef Koudelka traveled through Israel and the Palestinian territories from 2008 to 2012 and documented the wall erected by the state of Israel in the West Bank as well as Israeli settlements, resulting with a series entitled Wall. In the early 2000s Israel unilaterally decided on building the wall on the pretext of protecting itself from terrorist attacks. A ninemeter-tall and today over 700-kilometer-long fortress made of steel, concrete, barbed wire, and motion detectors—almost three times as high and five times as long as the Berlin Wall once was. Koudelka’s panoramic photographs of the monumental barrier are also a personal project for the photographer who grew up behind the Iron Curtain and who is perpetually drawn back to the theme of freedom.
Koudelka’s black-and-white photographs are both intimate and empathetic. His interest is dedicated to ethnic and social groups that are threatened by extinction or expulsion and often also reflect Koudelka’s own nomadic way of life. Josef Koudelka is one of those few outstanding photographers whose images decisively influenced the developments of the history of photography in the second half of the twentieth century through their intense, moving, and authentic look.
With Josef Koudelka . Invasion / Exiles / Wall, C/O Berlin presents three significant stages of the work by the Magnum photographer in the first exhibition dedicated to him in Germany in almost thirty years. It includes approximately 120 photographs and projections, ranging from the Soviet occupation of his homeland in 1968 to his time in exile and the large-scale photographic project on the wall built by Israel in the West Bank. The exhibition was curated by Xavier Barral in cooperation with Sonia Voss, and organized in partnership with the Nederlands Fotomuseum in Rotterdam.
was born in 1938. Czech, naturalized French, based in Paris and Prague, he joined Magnum Photos in 1971. Having studied engineering at the Technical University in Prague, he worked as an aeronautical engineer, while photographing theatrical productions and gypsies in Czechoslovakia. His coverage of the invasion of Prague by Russian tanks in 1968 was awarded, the next year, the Robert Capa Gold Medal under the name of “anonymous Prague photographer”. Sixteen years later, after his father had died, his photographs were credited with his name. In 1970, he sought asylum in England and became stateless. An exhibition at New York’s Museum of Modern Art was dedicated to him in 1975, the year his book Gitans was released, followed by Exiles in 1988. In 1986, he participated in the DATAR project, documenting the urban and rural landscapes of France. He started using a panoramic camera, he returned to Czechoslovakia for the first time in 1990, and photographed the socalled Black Triangle, one of the most devestated landscapes in Europe. As a result of his work dealing with his concern for how contemporary man has influenced the landscape, he released the book Chaos in 1999. In 2006, the first retrospective book, realized by Robert Delpire, came out in France and seven other countries. In 2008, Invasion Prague 68 was published in twelve countries. In 2011, a revised and enlarged version of the book Gitans was re-edited from the original 1968 dummy. The same year, the exhibition Invasion Prague 68 was presented in Moscow. Josef Koudelka received a number of awards, including the Grand Prix National de la Photographie in France (1987), the Henri Cartier-Bresson Award (1991), and the International Center of Photography Infinity Award (2004).